Hipster Much? – KIL

"It’s also one of the first films I’ve seen to truly maximise the DSLR aesthetics I’ve noted many moons ago. Some of these aesthetics include a highly colour corrected post-production stage, fully usage of the depth of field, and a very strong and clean resolution in the presentation of images. The visual of the gun used to conduct such killings by LAB, with a very narrow depth of field, made for an interesting image. The camera, at times, peeking from behind ornaments or props, made it feel as if we are a part of the scene, waiting in hiding as we eavesdrop on these characters going about their lives. It’s all good here."

An excerpt from a KIL film review I wrote for Thoughts on Films.